Press

Noah Getz’s performance is always stunningly beautiful and on point…In this world of saxophone tribalism and nationalism, Getz’s sound is his own.”
— The Saxophonist Magazine Review The Salon Sessions
Performers like Noah Getz can hardly help but focus interest on the sax and the music being written for it.”
— Dan Tucker (Chicago Tribune Music Critic)
Getz impresses throughout with his virtuosity, sensitivity, and beauty of tone. So, exciting program and great playing: recommended.”
— Fanfare Magazine Review of Still Life
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Please tell Noah that I really enjoyed his and his pianist’s rendition. He gets such a beautiful sound on his instrument. The composer is pleased!”
— Chick Corea, writing about his Sonata for Alto Saxophone and Piano
Your playing on Crosscurrents has big, bold sound and great shape to the lines. I especially liked the Roseman.”
— Lewis Spratlan, Pulitzer Prize-winning Composer
The brilliant young soloist Noah Getz gave my saxophone concerto Ode to Lord Buckley a stunning and definitive performance that I will always remember.”
— David Amram, First Composer-in-Residence, New York Philharmonic; Jazz and World Music Performer
I consider Noah Getz fully capable of performing my concerto at the highest level of excellence, and I recommend him as a soloist of the first rank.”
— Henry Brant, Pulitzer Prize-winning Composer
I really like your interpretation of Henry Brant’s Saxophone Concerto. Congratulations on this beautiful job!”
— Claude Delangle, Professor of Saxophone, Paris Conservatory
Noah did a magnificent job performing my piece, which is highly virtuosic. We had a full house, and everyone who heard Noah raved about him.”
— Fernando Benadon, Professor of Theory and Composition, American University
I had little interest in the classical saxophone until I got to know Noah Getz and his music. The warmth of his tone, attention to detail, impeccable technique and determination to pull every gram of music out of every phrase has made me a convert. . . . He plays both with such sensitivity, verve and skill that he may well be the one to bring an audience to this music.”
— A.B. Spellman, Author; Radio and Television Commentator; Former Deputy Chairman for the Office of Guidelines, Panel and Council Operations of the National Endowment for the Arts
Having heard Dr. Getz perform on numerous occasions, I continue to be impressed and amazed at his technical expertise and his interpretive skill, but it is his beautifully sculpted tone quality that attracts listeners of every interest and background.”
— James Noyes, Artistic Director, MOSA Concert Series